I was cruising through the On-Demand section from our cable provider and saw Music and Lyrics listed. I almost picked that one, but then remembered another movie of his I hadn't seen yet, so I kept going. And once I found The Rewrite, I clicked Watch and spent the next few hours with Hugh and Marisa Tomei in Birmingham NY. It features some of my other favorite actors - Allison Janney and J.K. Simmons.
Hugh's character is a screen writer in Hollywood, years after his success, trying to get any job he can. And right now, the only job he can get is as a screenwriting professor at this college. He plans to go there, do as little as possible and spend time on his own project. But as you can imagine, it doesn't go that way. Especially with his attitude that you can't teach writing.
So I got thinking: can you teach writing? Some must think so, based on all the classes, workshops, books, forums, conferences, and blogs out there. Maybe teach is the wrong word. Or maybe the way we think about teaching, like it's only rote memorization, might give one pause about whether writing is teachable.
On the other side of the coin, is writing learnable? Maybe some people can't grasp the concepts of plotting or resolution or risk/reward and therefore can't learn to write.
I've recently talked to someone who is interested in writing a novel. They've never written before, but they have this story inside them they want to tell. And it's a pretty intriguing concept. So I gave her the basic advice: Write. Read about writing. Join a writer's group. Find a critique group. Use your library resources - whether that's for research, other writers, writing resources, or books in the same genre to see what works (and what doesn't) in other stories.
Today's Tweet (hey, are you following me on Twitter? Why not? Find me @FaithProofing) gives a resource that's been out of print for years, but the blog author has found invaluable for playwriting. The author of the book (The Human Nature of Play Writing) wrote a thing or two: the play The Jazz Singer (the basis of the first movie with sound and music) and some scripts for Alfred Hitchcock's Suspicion and Ernst Lubitsch's The Shop Around the Corner(one of my favorites...in all its incarnations). So if you are in the market for another book on writing, check it out and let me know what you think.